Life is fierce! Across the Furious Sea’s exposure special Zhou Xun Bo Huang plays for his life.

1905 movie network news　Recently, the crime suspense film released a special feature and behind-the-scenes tidbits of the role of "crazy", and the two became "cruel father and wolf mother". After many years of friends’ play, they became enemies, and a group of actors were "crazy" to the extreme. The film is directed by, starring Bo Huang and Zhou Xun, and starring,,,,, and. The film will be shown nationwide on November 25th.

Through a murder case of a young girl in a foreign country, the film Across the Furious Sea reveals the hidden sorrow of human nature behind the families of the victim and the suspect. Laojin (Bo Huang) learns that his daughter Ri-na Kim (Zhou Yiran) was killed with 17 knives, and makes a determined effort to chase the murderer across the sea for her, while Jing Lan (Zhou Xun), the mother of the suspect Li Miaomiao (Youhao Zhang), tries her best to "go crazy" for shelter and is determined to confront Laojin head-on. A human struggle for life and death, in which the "cruel father" confronts the "wolf mother" and vows to blood out … …

The special issue of "Playing Madman" released this time further exposes the irreconcilable relationship between actors Bo Huang and Zhou Xun, and reveals how "cruel father" and "wolf mother" are created through more behind-the-scenes tidbits. Facing the extreme pull of Laojin and Jing Lan, Bo Huang and Zhou Xun spared no expense in "self-abuse".

In order to show Laojin’s madness, Bo Huang not only did a lot of exercise to arouse his emotions before each shooting, but also kept extremely angry all the time. He personally went into battle to challenge the scene of falling from a building. The whole person was hung above the 60-meter exhibition hall with his hands hanging outside, and even the director felt "hard enough". Zhou Xun broke through the limit. In order to tap the maternal instinct of Jing Lan’s son, he directly "gave up his reason" and worked hard for his son. He bravely overcame his physiological fear of being afraid of water and completed the underwater car drowning scene. The extreme sense of suffocation showed his mother’s determination.

Bo Huang said frankly: "Zhou Xun has the ferocity of a female wolf in her eyes, and even I feel scared." There are fierce fights between the top strength actors, and the drama tension is full, which is frightening. As director Cao Baoping said: "The impact of the collision between the two roles of Laojin and Jing Lan can be called the level of atomic bomb explosion."

Under the lens of director Cao Baoping, the whole film Across the Furious Sea subverts the previous image. Zu Feng, who plays the suspect’s father, has many scenes in which he is on the verge of physical and emotional overdraft. He and Bo Huang staged a life-and-death fight, and shot repeatedly in order to present the most perfect effect. When filming the scene in which Youhao Zhang was strangled by Bo Huang with a rope, Youhao Zhang even chose to give up grasping the rope with his hands in order to truly restore the sense of suffocation. After work, he found that his neck was blue and purple.

The role of Ri-na Kim has a high emotional concentration, which requires the actor to have a strong explosive force. Bo Huang commented on Zhou still’s performance. "proper limit has a very good grasp, and I can almost see her heart." NI YAN vividly interprets the despair and distress of the victim’s mother who lost her daughter, and a cry makes people instantly empathize. From young actors to old actors, all of them are hard-working interpretations.

The ultimate performance like "crazy drama" is satisfying the inner thoughts of director Cao Baoping. "All emotional collisions are crazy to the extreme." As a leading figure in crime movies, Cao Baoping always believes that movies need to give the audience emotional power as strong as storms. In the third part of this "burning heart" series, the director once again upgraded the severity of crime, constantly digging deep into human nature, such as a sharp knife poking the emotional pain points in the audience’s heart, bringing more visual and spiritual shocks.

In this regard, Zhou Xun, who has worked with director Cao Baoping, quite agrees, "Just as the characters in" The Story "and" The Story "are all in a highly emotional state, facing a very extreme life situation, especially Across the Furious Sea, and the director’s handling is more meticulous. Every time I film with the director, I feel adrenaline soaring. "